hare muraare madhu kaitabha haare gopaala govinda mukunda shaure pralaya payodhi jale dhrutavan asi vedam vihita vahitra charitram akhedam keshava dhrta mina sharira jaya jagadisha hare now geeta comes in with the last line of the shloka which is used by jaydev as the refrain with only the name of the incarnation changing she is constantly singing in the background if hemantda is reciting the shloka in the foreground when he stops she is in the foreground with her beautiful voice incredible keshava dhruta mina sharira jaya jagadisha hare chalayasi vikramane balim adbhuta vamana pada nakha nira janita jana pavana keshava dhrta vamana rupa jaya jagadisha hare vitarasi dikshu rane dikpati kamaniyam dashamukha mouli balim ramaniyam keshava dhrta rama sharira jaya jagadisha hare nindasi yajnya viderahaha shruti jatam sadaya hrudaya darshita pashu ghatam keshava dhrta buddha sharira jaya jagadisha hare mlechcha nivaha nidhane kalayasi karavalam dhumaketum iva kimapi karalam keshava dhrta kalki sharira jaya jagadisha hare at the end of the song there is a great shloka which is also usually song in the bhajan tradition which is a succinct summary of the dashaavatara per jaydev here is that shloka vedan uddharate jagannivahate bhugolam udbibhrate daityam darayatem balim chalayate kshatra kshayam kurvate poulasyam jayate halam kalayate karunyam atanvate mlechchan murchayate dashakruti krute krushnaya tubhyam namah
